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Mar 30

Can You Tell Roku, Boxee and Vudu Apart?

Posted on Monday, March 30, 2009 in Movie Marketing on the Web

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If you’re like most people who still view movies on a standard DVD player, hearing the words Vudu, Roku and Boxee will probably draw blank stares out of you. Or at least bring up a mental picture of some Japanese anime comic character.

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Just remember that Roku, row-ku is the service that’s going to add about 10 additional sources in a row (from which to use the service) by the end of the year.

Boxee works with your Mac Mini or Apple, and its the company that has all of those information dissemination issues. See?

Still confused?

Worry not. Azadeh of Gadgetwise breaks down these various home media players for you here.

Vudu pic via PM

Mar 26

Movie Marketing and PR Notebook

Posted on Thursday, March 26, 2009 in Movie Marketing News and PR

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In Case You Missed These…

Movie Marketing

Brooks Barnes, the NY Times-resident movie marketing and PR scribe discuses how the movie studios are once again turning their attention to the multiplexes now that DVD sales (thanks in part to internet downloads) have seen an overwhelming 40% decrease. [NYT]

He and his colleague Michael Cieply contend that Hollywood executives who grew up in the movie business are undergoing a metamorphosis; nothing has been the same since internet downloads killed the DVD star, indeed. [NYT]

International

Foreign movies used to bring home the bacon at Japanese movie theatres, but thanks to the marketing and PR pull of Japanese TV stations and the financial stakes that they have in said movies, the Made in Japan movie is getting its groove back. Or rather just the ones that are financed by Big Japaneses TV; not the indies, for sure. [THR]

Advertising

Hosts of ad agencies remain hopeful about advertising spending, but do they have legimate reasons to? [SA]

ShoWest is honoring director Michael Bay in April for his cutting edge style, not to mention box office success, and movie hyping mojo. [IEB]

Movie Financing

The state of the world economy is now even affecting movie theatre launches. [WL]

Mar 25

Movie Marketing and PR Notebook

Posted on Wednesday, March 25, 2009 in Movie Marketing Links

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Product Placement

The Vespa bike got some screen time in the Paul Rudd-starring I Love You Man. [PPN]

Movie Buzz

Anne Hathaway to play Judy Garland on the stage and on the big screen. Will this be her tour de force? [DFP]

Sunshine Cleaning is part of an indie trend. [TD]

Remember the much-talked about remake of the 80s movie Footloose, starring Disney High School Musical darling Zac Efron? The remake is still on, but Zac is out of the picture. Oh well, the pre-production buzz was good while it lasted. [ETV]

Since her film Duplicity made only almost half of what the Nicholas Cage movie Knowing did over this box office weekend, some critics are wondering if Julia Roberts “still got it”. [NYDN]

Summit Entertainment has casted Native Americans in roles for New Moon, the Twilight movie sequel. [RBB]

Movie Merchandising

Seth Rogen is recreating his role in the movie Monsters vs. Aliens in a video game version. [MSN]

Festival Marketing

Ithaca College has its first environmental film festival. [IC]

Is Bollywood cementing its world dominance? Its latest triumph: a film festival devoted to it in Poland, of all places. [HT]

Legal

Last year, the Federal Election Commission voted to block pay-per-view broadcasts of producer David Bossie’s documentary Hillary: The Movie. Bossie continues to fight, with the Supreme Court listening to his legal team’s arguments.

Movie actor Warren Beatty is being sued by Tribune for lapse of contract after a 2006 letter, asking him to cede the licensing rights if he does not produce another Dicky Tracy project by November 2008. [GUK]

Other

How many of these retro monster and alien movies have you seen? [FSR]

Mar 25

When Movie Publicity Works Only Too Well

Posted on Wednesday, March 25, 2009 in Advanced Movie Publicity, Lions Gate

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The Lionsgate movie A Haunting in Connecticut actually opens this Friday, but don’t tell that to the hundreds of people who went roaming in a Southington home, wanting to catch a glimpse at the funeral home-zoned-into-a-residential-home on which the movie is based on.

They’re practically turning it into a tourist attraction. Not a good thing for the house’s current occupants, who’ve told MSNBC:

“Most people are respectful. They stay on the road. They might take a picture,” Trotta-Smith said. “But we have had a few problems with people kind of rudely coming up to the door and scaring our kids, telling them the house is haunted.”

Southington police have understandably added police officers to safeguard the current owners from overzealous gawkers.

Mar 24

Google to Make Your Researching and Search Life a Little Easier

Posted on Tuesday, March 24, 2009 in Online Marketing

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It’s surely happened to you before. You inserted a search into the Google search box and had to sift through pages and pages of results. That’s all fine, but with just 24 hours in the day, and less than 1/18 of that to get your movie marketing project finished and off the ground, who can bother with pages and pages of results?

Maybe you were trying to put together a poster mark-up for your movie’s marketing compaign and tried to look posters from the film noir era and kept on yielding results that had nothing to do whatsoever with what you have in mind.

Google has heard your frustrated cries and is acting accordingly:

Stephen Shankland of CNET breaks down the new and improved and faster-working feature like this:

The technology works by analyzing the content of Web pages that appear related to the query and determining from those pages the “entities” such as people, places, or concepts that are related to the query.

If you are multilingual inclined, the feature is also available in 37 languages other than English.

Mar 23

Movie Marketing and PR Notebook

Posted on Monday, March 23, 2009 in Movie Marketing & PR Notebook, Movie Marketing and PR News

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Movie Marketing

While its nemesis Netflix continues to gain subscribers, Blockbuster has lost $360 million in the fourth quarter, but like a real trooper it’s not planning on going down. The retail movie rental company is refinancing loans, tapping deeper into the video game business, and lower in-store video rentals. [AP]

Has Hollywood been pushing for movie piracy all along?[P2P]

And speaking of piracy, NBA star Yao Ming thinks he can help. [THR]

Ok, just one more thing about movie piracy. Is there a link to terrorism and organized crime? [SM]

Even marketers for DVD packaging of TV shows are going all out. [TSOD]

International

Filmart is the place for Europe’s films. [THR]

Legal

The movie Sahara, based on a book of the same name, was released back in 2005, but the legal quagmire ensuing from its release is continuous.

The latest is that the book’s author Clive Cussler was ordered to pay $13.9 million dollars in legal fees to Crusader Entertainment, the film production company behind the low-revenue film. Cussler originally sued the company for failing to consult him on the film; Crusader Entertainment had countersued soon afterwards claiming that the author had misled them about the book’s sales. [AHN]

Web Marketing

Wireless giant Nokia’s social networking site Mosh is going bye bye, although the official elimination date has not yet been announced. The move is surprising many tech pundits who find it hard to swallow that Nokia is letting go such a highly-trafficked web property (180 million downloads). Some reasons being speculated upon include Warner Music’s taking way music catalog privileges away from the cell phone company’s grasp for use on the site, as well as its increasing attention on its upcoming store chains Ovi.

When the sales get tough, the marketing gets going. Now even food marketers are going the viral route. [R]

Mar 19

Movie Marketing and PR Notebook

Posted on Thursday, March 19, 2009 in Movie Marketing & PR Notebook

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Movie Marketing

Rapper T.I. denied that scandal-plagued singer Chris Brown was going to be excluded from Bone Deep’s marketing and PR materials. No, instead the movie is actually getting a new title. [MTV]

Have you heard of SpeedCine? It’s a website that offers a database of all movies that, you know, are available legally online. [CT]

International/Foreign Films

Hungary’s filmmakers are learning that there’s no place like home when it comes to film location. [NO]

Slumdog Millionaire has already made an estimated $250 million dollars in international box office receipts. Now, it’s headed towards China, where its universal story of triumph from poverty will definitely ring a bell there. [CBC)

A list of 5 foreign films that are getting tongues wagging at this year's SXSW. [DT]

Paris 36, a Sony Pictures film is being touted as the Best Foreign Film contender for the 2010 Oscars. [LAT]

Tech

Toshiba wants to make portable DVD players more stylish. [CG]

Should you pack up your standard DVD player in favor of the Blu-Ray disc player? You might want to read the Consumer Reports pros and cons first. [ABC]

Festivals

The winners of the Miami International Film Festival. [MH]

Paris 36 still via Fandango

Mar 18

Former Canadian Actress Protests Film Poster

Posted on Wednesday, March 18, 2009 in Bollywood, World Cinema Marketer

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In the movie marketing and PR story of the day, Ruby Dhalla a one-time Bollywood starlet-turned-politician is trying to block promotional posters of a movie she starred in.

Back in 2003, Dhalla was among the cast of the low budget Hindi movie Kyon Kis Liye (Why? And for Whom?). About a year later, she was elected to the Canadian parliament.

It’s not unusual for obscure actresses to all over sudden get top billing on DVD-reissues and other promotional materials when they suddendly achieve notoriety, but in Dhalla’s case she’s convinced that her new status as a politician is being exploited. She sounded off to the Toronto Sun, saying:

“They are misrepresenting myself.… they put my face on someone else’s body in clothes I never wore.”

Dhalla would have done better not to bring attention to the DVD cover-doctoring. Now a movie being nearly six years after its original release is going to get a heck of word of mouth promotion from all the ensuing media attention. But in an industry such as Bollywood where movie releases get lost in the shuffle, this must surely be welcomed attention for the movie’s backers.

Mar 17

Movie Marketing and PR Notebook

Posted on Tuesday, March 17, 2009 in Movie Marketing & PR Notebook

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Technology

The Visual Effects Society may be good at deciphering innovative special effects in movies, but they’re not so zealous when it comes to marketing. [FXR]

International Cinema

Are you making an Irish film? How many of these vital ingredients does your future Irish film classic have?

Movie Marketing

Has Watchmen killed off the comic superhero movie sequel?

Social Networking

If you can’t beat them, or much less buy them, the solution is to join them. Sort of. Facebook’s offer to buy Twitter last year was met with a “Thanks, but no thanks”. Now Facebook is finding ways to live vicariously through Twitter…by ganking a lot of the micro-blogging platform’s features.

Not to be left out of the social networking game, Bebo has come up with Lifestream, a platform that will allow Beboists to compile all their updates from other social networks (such as Twitter and MySpace) into a single feed. [BR]

Facebook’s traffic is double of what it was last year. But the influx of traffic isn’t coming from who you might expect. [IW]

Web Marketing

How to upgrade your local search mojo.

Publishing

With the upcoming Thor, Spiderman 4, Transformers, scheduled for release in the next two years, some book stores are experiencing a comic book sales boom.

Legal

Sony is suing Twentieth Century Fox as well a World Rush over billboard agreement.

The Supreme Court has decided in the favor of “The Family Guy” in the lawsuit in which the “Wish Upon a Star” Publisher legally challenged the show’s producers using the classic song in what they viewed as a anti-Semitic reworking of the classic ballad. [AP]

Marketing Elsewhere

So where are all the television marketing directors?

Mar 16

Movie Marketing & PR: The Netflix Interview

Posted on Monday, March 16, 2009 in Movie Marketing & PR Interviews

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Netflix, the online movie rental Hercules, is one of those companies, that gets entrepreneurs worldwide slapping themselves and wishing they had thought of the grandiose idea for such a company. A decade-plus running, while many start-ups that begun in the late 1990s and succumbed to the Dot ComWeb 1.0 Bust, Netflix continues to gather strength.

I had the opportunity to speak to none other than Steve Swasey, the in-house Rasputin and media blaze extinguisher at Netflix.

Feel free to eavesdrop on our conversation.

Movie Marketing & PR: It seems to a lot of people are saying that Netflix is immune to the recession.
Netflix: I don’t think any company is. But Netflix has been in a very good position. Netflix has surpassed more than 10 million members and it’s from a position of having great convenience, selection and value for the service. You’ve got more than 100,000 choices of movies and TV episodes on DVD and more than 12,000 movies online, available to be watched instantly. And that gives you a great opportunity to enjoy movies at a very low price—$9.99 a month or $8.99 a month for TV episodes. It’s great selection, unlimited viewing and really great convenience.

MMktPr: So, Netflix has reached a membership of about 10 million subscribers. Can you basically give us an overview of how the company came to be such a phenomenon?

Netflix: Netflix changed the way Americans rent movies by providing unlimited DVD rental, no late fees, postage paid both ways, delivered directly to your home. You don’t even have to go to the video store. Prior to Netflix, the only way to rent movies was to go through the inconvenience of driving to a store, having somewhat of a limited selection, pretty crummy service and punitive late fees.

And Netflix changed all that. In 1999, Netflix came out with the subscription service where the movies were available—just log on to Netflix.com and order movies and they’re delivered right to you through the United States Postal Service. You never had to leave home. And of course that’s grown over time.

We’ve got more than 100,000 titles now on DVD and we’ve expanded the business to be able to stream to you. There’s unlimited streaming on your PC or on your Intel-enabled Macintosh, or on a device that gets to the TV with Roku or the Microsoft Xbox 360 or a couple of Blu-ray players by LG Electronics and Samsung or the TiVo. Those are all devices that get Netflix movies delivered instantly to you on the TV, so all of this at a low monthly subscription and there’s no real way to return movies.

MMktPr: The latest development at Netflix is the Internet streaming operations.

Netflix: Streaming is an expansion of the Netflix service. One low monthly subscription for both DVD delivered by mail and streaming.

And streaming came up two years ago, [as of] last month; in January 2007 Netflix started streaming movies instantly on the PC and then made it available on TV in 2008, with one of the partner devices Roku, which I just mentioned. It came out in May 2008. It’s a beautiful little box, about the size of a paperback novel—$99—it sits near a stand next to your TV, plugs into the TV, plugs in the electrical outlet. It’s wireless or connects to the Internet via NEES and cable and streams movies instantly of course. And of course, there’s the Xbox 360 which came out July 2008 and started shipping in November. Both the LGV 300 and Samsung BD-P2515 2500 Blu-ray Disc Player came out in October [of] last year. And TV now started to stream on its models last year, late—the fourth quarter.

So 2008 was the year the networks got to PD streaming instantly and we continually expand the partners we’re working with. We announced this year at the Consumer Electronics show that the networks will be streaming directly into the TV, by LG Electronics and Vizio, another new partner. They’ll be steaming movies directly from Netflix to the TV.

MMktPr: In the future, are you going to eventually abandon the mailing-in model?

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Netflix: DVDs will be around for a long time. Netflix will use DVD rental—and Netflix [DVD mailing rental] will grow for at least 5 more years. And even after the peak, whenever that is—there’ll still going to be people wanting to watch movies on DVD. DVD is a very, very good format, and it’ll be around for a long time. People will be watching movies on DVD for another 10-15 years—at least—if not more. If you think about it, VHS tapes still are clinging to their last breath of life after 30 years. The DVD format will be around for a long time. But also, the streaming model is coming out. People are starting to adapt to that as well. So we’re going to be in a bundle service—with both DVD and streaming for quite some time. Ultimately, in the future it will be delivered over the Internet, but that’s still many, many years away.

MMktPr: So basically, you don’t think DVDs are going to be the VHS of yesteryear?

Netflix: The growth of DVD rental will be for at least another 5 years, ten more years even.
We haven’t seen the peak. We have been nowhere near the peak or close to DVD rental growth.

MMktPr: Last year, Netflix suffered an online blackout. It was for a few hours, but the one in ‘07 was for much longer. Are you guys taking some steps to make sure this doesn’t happen again?
Netflix: Well, of course. The service is the Number One-rated website across the ecommerce [sector] for customer satisfaction [by the The American Customer Satisfaction Index], and Consumer Reports just this month [February] named Netflix as the “Best Way to Rent Movies Anywhere”, including all the big stores and online services and we do that with the goal of absolute customer satisfaction. So we do take every step we can to assure consistent and prompt delivery.

We deliver more than 2 million DVDs on a typical day. We ship more than 2 million DVDs on a typical day. More than 97% of Netflix networks see their DVDs the next day. The outage that you mentioned from last August—I think it was—was an anomaly.

We missed an afternoon of shipping and then we had two half days, so we had about two days in total where we didn’t ship for a period of about a week. The impetus was we fixed the problem. It hasn’t re-occurred. In that time, we shipped 99% accuracy over [the course of] ten years.

That was an unfortunate event, over two and a half days but Netflix did the right thing and proactively and voluntarily credited all the members whose discs were delayed. They got a credit, which many customers didn’t even want. They basically didn’t realize their discs were late. They didn’t mind. They trust Netflix and they like Netflix so much.

It’s not frequent that we have a problem and when we do, we fix it and folks are very understanding and forgiving.

MMktPr: One of the many things that some observers have said about Netflix is that the company is kinda secretive and really guarded.

Netflix: I’ve never heard that about Netflix. Netflix is very open and transparent. We got a lovely website. More than 95% of Netflix members recommend the service to friends and more than 80% join in part because of a personal recommendation from a friend.

So it’s got tremendous consumer loyalty and of course as with any business, we have proprietary properties, but the company is very transparent. It’s a publicly traded company; all of our earnings are publicly recorded and full disclosure on any material information. I don’t know who’s saying that—if anybody—about Netflix.

MMktPr: Since we’re speaking about transparency, I noticed that

Netflix: Let me add something else to that point. We have open API. And Mashery credited and lauded Netflix for the best open API launch of any of these companies out there that are opening their API. We have a prize that’s out; it’s been out for 2 years now. The Netflix prize is for an invitation to computer scientists around the world to develop an algorithm that would beat the Netflix algorithms for recommendations, and that’s going to be a million dollars awarded to some computer scientist or a team of computer scientists. We’ve already awarded two $50,000 progress prizes for the Netflix prize for people who came close.

So Netflix as a company is all about openness and customer service. I’m curious to know who’s saying—who’s using those words about Netflix. I’d like to know the basis for this because it’s just not true.

MMktPr: Speaking of transparency, I noticed that Netflix has a blog. Would you say that the blog helps a lot with communicating with customers?
Netflix: Absolutely. In fact, I should’ve used that as another example of openness and transparency. We have people post on the blog. And there are other blogs that we contribute to. Hacking Netflix is one. That’s an independent, autonomous blog by a guy name Mike Kaltschnee. We treat Mike with the same level of respect and openness as we treat reporters from the New York Times. This interview is testament to the fact that we use blogs as a very important communication vehicle. So we have the Netflix blog which is a very important to us in communicating with our members.

MMktPr: So what’s a typical day like for you as Netflix’s Director of Corporate Communications?

Netflix: Doing what I’m doing right now. Talking to reporters, bloggers and journalists about the terrific convenience, selection, and value you can get from Netflix. Sometimes I set the record straight when there’s a report out there that’s erroneous. Most of the times, it’s very favorable outreach to journalists who are writing stories about Netflix.

Netflix is very well-covered by the national media. It’s a company that gets lots of media attention because it’s such an amazing company. The company that revolutionizes the way Americans rent movies from ‘99 and it’s doing good in 2008 and 2009, so it’s a great company to talk about and that’s my job to talk about it with reporters.

MMktPr: What would you like to see in the next 4-5 years?
Netflix: Netflix will continue to add content. It will continue to add partners that enable us to reach customers faster and offer greater convenience, selection, and value. In the last two years, we’ve completely changed the business model and improved it. We’ve kept the DVD business model intact and at the same time we’ve added streaming functionalities at no additional cost to Netflix members. You can watch movies instantly on your PC and on your Mac at no cost—that’s included in your membership. And if you have one of the devices you can stream Netflix movies to partner devices to your TV. This is revolution; the second revolution by the company in 10 years.

MMktPr: The free trial—is there going to be a time when you guys are going to do away with that? Netflix: That’s a critical fact. It’s a well-established practice: a lot of people come to us just because they’re in the free trial. It’s ingrained.

MMktPr: What’s the ratio—how many people who sign up for the free trial actually end up signing for the service itself?
Netflix: We disclose the number of new members, but we don’t give out—I can’t give you a specific number of people who actually try out and don’t convert after two weeks. But it’s fair to say that the free trial is a key factor in growing Netflix business.

MMktPr: Recently, Netflix had a legal battle with Blockbuster. What has Netflix learned from that whole thing?
Netflix: Oh, we settled that. We settled out of court. Neither company comments about it. So it would not be appropriate for me to comment on it.

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MMktPr: Are you planning on adding any new niches as far as selections are concerned?
Netflix: We’ll certainly add content over time. When we started subscription service in 1999, we had 3,970 titles; just under 4,000 titles available on DVD. Ten years later, we have 100,000 titles available on DVD. We started streaming directly to the PC in January of 2007. We were doing it with about 1700 titles. Today the average for streaming? We have more than 12,000 movies and TV episodes.

So we’ll continue to add content over time. That’s a key fact. More content, more genres, more movies, more of what people want to see. Of course, we’ll continue to add more technological features to make it more enjoyable—such as streaming to the TV, the PC and Mac.

Pics via Google Images